Ryme Mouline is a performance and video artist working between Montreal, Berlin, and Morocco. Her practice combines embodied performance, moving image, scenography, and sensory experimentation to explore non-verbal forms of communication, perception, and collective presence.
Initially rooted in performance and visual experimentation, her work gradually expanded into immersive and participatory environments that involve touch, movement, light, shadows, textures, and responsive audiovisual elements. Through in-situ performances and ephemeral collective compositions, she investigates how bodies interact with space, images, and one another.
Her current research focuses on touch and body language as intercultural and relational phenomena. Following the creation of an experimental short film on the non-verbal language of love, she began developing The Language of Touch, an ongoing artistic research project combining documentation, participatory performance, and sensory protocols.
Drawing from video art, somatic practices, improvisation, and collective facilitation, Ryme creates immersive experiences that blur the boundaries between performance, installation, and lived interaction.
